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The Game was a how-to guide, a self-help book for clueless men who couldn’t get laid, rather than a Tucker Max–type catalog of depravity.

(Max, you might recall, writes a story about convincing a girl to have anal sex and tapes it without her consent.) Instead of just being anecdotal, something to envy, The Game suggested you could learn the seduction lifestyle and live it yourself.

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“I’ll pummel their asses down.” Strauss tells a story about getting Britney Spears’ number after an interview, while another man recounts picking up Paris Hilton, proof positive (if you believe their accounts) that the Mystery Method could get you anyone. J” [sic]) While pickup artists obviously didn’t create misogyny, they certainly helped perpetuate it and taught another generation how to act out sexist behavior in their romantic lives.

He’s made it his life’s work to teach men (for thousands of dollars) how to pick up, fuck, and date the women of their dreams.

He was the focal point of Neil Strauss’s 2005 New York Times best-seller The Game, which was all about the seduction industry and the men who make a living from it.

In the chapter titled “Create an Emotional Connection,” Strauss writes a few lines while he is, purportedly, inside a woman. PUAs are now part of a larger constellation of groups relating to men and masculinity, often as a counterpoint to feminism, called “the manosphere.” These groups include Men’s Rights Activists, or MRAs, who advocate for men’s rights, to varying degrees of legitimacy; Men Going Their Own Way, (MGTOWs), who don’t want women around at all; Proud Boys, a far-right group that discourages members from masturbating in order to maintain their interest in sex with women; red pillers, men who believe that women are actually the privileged group between the two sexes; and the involuntarily celibate, or incels.

The groups at once complement one another while also being in vehement disagreement: Incels would likely resent PUAs since they make getting laid seem easy, and are technically representatives of the “Chads” they hate so much; MGTOWs argue that men shouldn’t have any relationships with women at all because they’re so poisonous; and MRAs pretend they have some legitimacy while often engaging directly in misogyny.

In 2005, Neil Strauss’s The Game changed how we date.