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.95 In this solemnly joyful baptismal anthem Kastalsky uses an ancient znamenny chant melody and demonstrates why he is the acknowledged master of “choral orchestration”: at every repetition of the melody, the voicing and texture changes, as does the color of the sonority.
Ks164 KASTALSKY ~ With the Saints Give Rest (So sviatïmi upokoy) No.6 from Memory Eternal (Requiem) satb(div) Ks024 KASTALSKY ~ As Many As Have Been Baptized (Yelitsï vo Hrista) satb(div)
.95 In this solemnly joyful baptismal anthem Kastalsky uses an ancient znamenny chant melody and demonstrates why he is the acknowledged master of “choral orchestration”: at every repetition of the melody, the voicing and texture changes, as does the color of the sonority.Ks164 KASTALSKY ~ With the Saints Give Rest (So sviatïmi upokoy) No.6 from Memory Eternal (Requiem) satb(div) Ks024 KASTALSKY ~ As Many As Have Been Baptized (Yelitsï vo Hrista) satb(div) $1.95 In this solemnly joyful baptismal anthem Kastalsky uses an ancient znamenny chant melody and demonstrates why he is the acknowledged master of “choral orchestration”: at every repetition of the melody, the voicing and texture changes, as does the color of the sonority.
||.95 In this solemnly joyful baptismal anthem Kastalsky uses an ancient znamenny chant melody and demonstrates why he is the acknowledged master of “choral orchestration”: at every repetition of the melody, the voicing and texture changes, as does the color of the sonority.
Ks164 KASTALSKY ~ With the Saints Give Rest (So sviatïmi upokoy) No.6 from Memory Eternal (Requiem) satb(div) Ks024 KASTALSKY ~ As Many As Have Been Baptized (Yelitsï vo Hrista) satb(div) $1.95 In this solemnly joyful baptismal anthem Kastalsky uses an ancient znamenny chant melody and demonstrates why he is the acknowledged master of “choral orchestration”: at every repetition of the melody, the voicing and texture changes, as does the color of the sonority.
.95 In this solemnly joyful baptismal anthem Kastalsky uses an ancient znamenny chant melody and demonstrates why he is the acknowledged master of “choral orchestration”: at every repetition of the melody, the voicing and texture changes, as does the color of the sonority.
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Yedinorodniy Sïne) satb(div) .45 Golovanov (1891-1953) was one of the last composers to publish sacred Russian Orthodox music before the Communist revolution of 1917 effectively shut down all religious composition and performance for 75 years.We link your email address with other info we have, including automatically collected information and information we receive from and share with 3rd parties, to manage our business, offer personalized offers and ads, and better serve you.
